ARP 110
| Pedal and Fingering Technıque II | 0 | 2 | 1 | 2 |
ARP 201
| Instrument III | 0 | 2 | 1 | 7 |
ARP 202
| Instrument IV | 0 | 2 | 1 | 7 |
ARP 205
| Harp Literature III | 2 | 0 | 2 | 4 |
ARP 206
| Harp Literature IV | 2 | 0 | 2 | 4 |
ARP 207
| Sight Reading and Orchestra Repertoire III | 0 | 2 | 1 | 2 |
ARP 208
| Sight Reading and Orchestra Repertoire IV | 0 | 2 | 1 | 2 |
ARP 209
| Pedal and Fingering Technıque III | 0 | 2 | 1 | 2 |
ARP 210
| Pedal and Fingering Technıque IV | 0 | 2 | 1 | 2 |
ARP 301
| Instrument V | 1 | 2 | 2 | 11 |
ARP 302
| Instrument VI | 1 | 2 | 2 | 11 |
ARP 305
| Harp Literature V | 0 | 2 | 1 | 2 |
ARP 306
| Harp Literature VI | 0 | 2 | 1 | 2 |
ARP 307
| Sight Reading and Orchestra Repertoire V | 0 | 2 | 1 | 2 |
ARP 308
| Sight Reading and Orchestra Repertoire VI | 0 | 2 | 1 | 2 |
ARP 309
| Pedal and Duate Technique V | 0 | 2 | 1 | 2 |
ARP 310
| Pedal and Duate Technique VI | 0 | 2 | 1 | 2 |
ARP 401
| Instrument VII | 1 | 2 | 2 | 14 |
ARP 402
| Instrument VIII | 1 | 2 | 2 | 14 |
ARP 423
| Contemporary Harp Works I | 0 | 2 | 1 | 2 |
ARP 424
| Contemporary Harp Works II | 0 | 2 | 1 | 2 |
ARP 425
| Mythology I | 0 | 2 | 1 | 2 |
ARP 426
| Mythology II | 0 | 2 | 1 | 2 |
GTR 101
| Instrument I | 0 | 2 | 1 | 4 |
GTR 102
| Instrument II | 0 | 2 | 1 | 4 |
GTR 105
| Guitar Literature I | 2 | 0 | 2 | 4 |
GTR 106
| Guitar Literature II | 2 | 0 | 2 | 4 |
GTR 107
| Sight Reading I | 0 | 2 | 1 | 4 |
GTR 108
| Sight Reading II | 0 | 2 | 1 | 4 |
GTR 109
| Guitar Maintenance and Repair I | 0 | 2 | 1 | 4 |
GTR 110
| Guitar Maintenance Repair II | 0 | 2 | 1 | 4 |
GTR 201
| Instrument III | 0 | 2 | 1 | 7 |
GTR 202
| Instrument IV | 0 | 2 | 1 | 7 |
GTR 205
| Guitar Literature III | 2 | 0 | 2 | 4 |
GTR 206
| Guitar Literature IV | 2 | 0 | 2 | 4 |
GTR 207
| Sight Reading III | 0 | 2 | 1 | 2 |
GTR 208
| Sight Reading IV | 0 | 2 | 1 | 2 |
GTR 209
| Modern Performance Techniques on Guitar I | 0 | 2 | 1 | 2 |
GTR 210
| Modern Performance Techniques on Guitar II | 0 | 2 | 1 | 2 |
GTR 301
| Instrument V | 1 | 2 | 2 | 11 |
GTR 302
| Instrument VI | 1 | 2 | 2 | 11 |
GTR 305
| Guitar Literature V | 0 | 2 | 1 | 2 |
GTR 306
| Guitar Literature VI | 0 | 2 | 1 | 2 |
GTR 307
| Sight Reading V | 0 | 2 | 1 | 2 |
GTR 308
| Sight Reading VI | 0 | 2 | 1 | 2 |
GTR 309
| Modern Performance Techniques on Guitar III | 0 | 2 | 1 | 2 |
GTR 310
| Modern Performance Techniques on Guitar IV | 0 | 2 | 1 | 2 |
GTR 423
| Contemporary Guitar Works I | 0 | 2 | 1 | 2 |
GTR 424
| Contemporary Guitar Works II | 0 | 2 | 1 | 2 |
GTR 425
| Turkish Guitar Repertuvarı I | 0 | 2 | 1 | 2 |
GTR 426
| Turkish Guitar Repertuvarı II | 0 | 2 | 1 | 2 |
KNS 141
| Choir I | 0 | 2 | 1 | 2 |
KNS 142
| Choir II | 0 | 2 | 1 | 2 |
KNS 207
| Music Theory III | 2 | 0 | 2 | 2 |
KNS 208
| Music Theory IV | 2 | 0 | 2 | 2 |
KNS 213
| New Music Ensemble I | 0 | 2 | 1 | 2 |
KNS 214
| New Music Ensemble II | 0 | 2 | 1 | 2 |
KNS 241
| Choir III | 0 | 2 | 1 | 2 |
KNS 242
| Choir IV | 0 | 2 | 1 | 2 |
KNS 313
| New Music Ensemble III | 0 | 2 | 1 | 2 |
KNS 331
| Traditional Turkish Music I | 0 | 2 | 1 | 2 |
KNS 332
| Traditional Turkish Music II | 0 | 2 | 1 | 2 |
KNS 341
| Choir V | 0 | 2 | 1 | 2 |
KNS 342
| Choir VI | 0 | 2 | 1 | 2 |
KNS 435
| Contemporary Turkısh Music I | 0 | 2 | 1 | 2 |
KNS 436
| Contemporary Turkish Music II | 0 | 2 | 1 | 2 |
KNS 441
| Choir VII | 0 | 2 | 1 | 2 |
KNS 442
| Choir VIII | 0 | 2 | 1 | 2 |
PYN 101
| Intsrument I | 0 | 2 | 1 | 4 |
PYN 102
| Intsrument II | 0 | 2 | 1 | 4 |
PYN 105
| Piano Literature I | 2 | 0 | 2 | 2 |
PYN 106
| Piano Literature II | 2 | 0 | 2 | 2 |
PYN 107
| Sight Reading I | 0 | 2 | 1 | 2 |
PYN 108
| Sight Reading II | 0 | 2 | 1 | 2 |
PYN 109
| Piano Technology I | 0 | 2 | 1 | 2 |
PYN 110
| Piano Technology II | 0 | 2 | 1 | 2 |
PYN 201
| Intsrument III | 0 | 2 | 1 | 4 |
PYN 202
| Intsrument IV | 0 | 2 | 1 | 4 |
PYN 205
| Piano Literature III | 2 | 0 | 2 | 2 |
PYN 206
| Piano Literature IV | 2 | 0 | 2 | 2 |
PYN 207
| Sight Reading III | 0 | 2 | 1 | 2 |
PYN 208
| Sight Reading IV | 0 | 2 | 1 | 2 |
PYN 209
| Piano Technology III | 0 | 2 | 1 | 2 |
PYN 210
| Piano Technology IV | 0 | 2 | 1 | 2 |
PYN 213
| Scarlatti and His Era I | 0 | 2 | 1 | 2 |
PYN 214
| Scarlatti and His Era II | 0 | 2 | 1 | 2 |
PYN 215
| Lied ? Literature Relationship in the Romantic Period I | 0 | 2 | 1 | 2 |
PYN 216
| Lied ? Literature Relationship in the Romantic Period II | 0 | 2 | 1 | 2 |
PYN 301
| Intsrument V | 1 | 2 | 2 | 9 |
PYN 302
| Intsrument VI | 1 | 2 | 2 | 9 |
PYN 305
| Piano Literature V | 2 | 0 | 2 | 2 |
PYN 306
| Piano Literature VI | 2 | 0 | 2 | 2 |
PYN 307
| Sight Reading V | 0 | 2 | 1 | 2 |
PYN 308
| Sight Reading VI | 0 | 2 | 1 | 2 |
PYN 313
| Scarlatti and His Era III | 0 | 2 | 1 | 2 |
PYN 314
| Scarlatti and His Era IV | 0 | 2 | 1 | 2 |
PYN 317
| Keyboard Harmony I | 0 | 2 | 1 | 2 |
PYN 318
| Keyboard Harmony II | 0 | 2 | 1 | 2 |
PYN 319
| Contemporary Turkish Composers I | 0 | 2 | 1 | 2 |
PYN 320
| Contemporary Turkish Composers II | 0 | 2 | 1 | 2 |
PYN 321
| Accompaniment for Strings I | 0 | 2 | 1 | 2 |
PYN 322
| Accompaniment for Strings II | 0 | 2 | 1 | 2 |
PYN 401
| Intsrument VII | 1 | 2 | 2 | 14 |
PYN 402
| Intsrument VIII | 1 | 2 | 2 | 14 |
PYN 417
| Keyboard Harmony III | 0 | 2 | 1 | 2 |
PYN 418
| Keyboard Harmony IV | 0 | 2 | 1 | 2 |
PYN 423
| Contemporary Piano Works I | 0 | 4 | 2 | 2 |
PYN 424
| Contemporary Piano Works II | 0 | 4 | 2 | 2 |
THM 119
| World Folk Music | 0 | 2 | 1 | 2 |
THM 415
| Playing and Singing Tradition I | 0 | 2 | 1 | 2 |
TRM 411
| Breathing Techniques | 0 | 2 | 1 | 2 |